Seán is a creative and academic. He fervours after performance with a political edge, and adores nonsense and absurdity.

As an actor, he has performed in a plethora of productions since 2011 in Sydney Fringe Festival, Sydney University Dramatic SOCIETY, Music Festivals Secret Garden and Splendour in the Grass, and as part of the Underground Cinema acting troupe.

As a writer, he has written and directed two productions: White Boy Masturbation Cathedral (2015) as part of Verge Festival at the University of Sydney, and Fragility, The Final Refuge (2017) at the Giant Dwarf as part of Sydney Fringe. He has reviewed theatre for The Music magazine between 2014 and 2016, producing over sixty reviews which can be searched for here.


Seán also writes essays, poetry, and criticism. His first published piece of art criticism can be found here, and functioned as the frontispiece for Lachlan Herd's Biospheres exhibition at 107 Projects in 2017. 


Strawberry Fields (2016)

Baby Kisser

Mosman Park Golf Club


Vibrant Gaze

Havana, Cuba (2017)